Bagrat Kharabadze
Self-educated painter, artist, jeweller, master of applied art
He was born in 1955, february 1, in Tbilisi, in a family of an engineer.
Since 1970, in the scool age he has been interested in ceramics.
In 1979-80s he worked in St.-Petersburg as a jeweler restorer.
In 1981-83ss worked in Tbilisi at "Solani" as a designer-goldsmith.
In 1982 the Ministry of Culture of Georgia awarded him the rank of master.
In 1984-85 ss he made the sketches of clothes for men and women at Tbilisi Dressmaking Establishment.
In 1986-92 ss worked at private studio in Tbilisi.
In 1994-95ss lived and worked in Holland and made the picturesque canvas.
In 1995 returned to his motherland, has its private studio in Mtskheeta and works in ceramics.
From 1996 is the member of International Association "Siopi".
He has two children.
Bas-relief's fragment (as in the Syxtes Capella) 1999 year, clay. 73x60
Bas-relief is made by a painter not in a traditional manner but by a new technology
which was invented by him.
1. "Future measuring". 1995, canvas, oil. 137x95.
2. "Holland Evenings". 1995, canvas, oil. 139x103.
3. "Before 2000 year". 1995, canvas, oil. 149x100.
4. "TheNight in Vlader". 1995, canvas, oil. 105x88.
5. Jevellery product. 1992, gold, silver, artificial stones.
6. Daggers. 1992. German Silver (filigree). 25x5: 34,5x5: 35x5.
7. Swords. 1992. German Silver, wood, bone 105x3: Espen 100x2: English sword 105x3
8. The Royal "Gorda" (Sword). 1992. German silver, wood, leather, filigree. 85x6: Roman sword 65x4.
9. Drink cast. 1997. lead. 19x12,5, thickness 5,5 cm.
The machine tools and management things are invented by the master:
1. The Electro-mechanical Press, pressing power of which is 35 tons and needs 3 Klw/hr. electrical energy.
2. Clay manufaacturing modernized shnek. Power - 4 kw/hr.
3. The master has invented forms of ploughs of new type, then modern German plough.
Master can make ceramic panel (bas-relief, alto-reliefo, monumental sculpture)of six colors and of any form and size by his own technology called "The clay's modern"
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